I began by researching various textile techniques.
Images taken from the following sources:
Grey, M. (2003) Raising the surface with machine embroidery. London. Anova Books Company Ltd.
Hedley, G. (2000) Surfaces for stitch: plastics, films & fabric. London. Anova Books Company Ltd.
Holmes, V. (2006) Creative recycling in embroidery. London. Anova Books Company Ltd.
Thittichai, K. (2007) Hot textiles: inspiration and techniques with heat tools. London. Anova Books Company Ltd.
Sourced from:
Owen, P. (2000) Knots: the identifier to over 50 knots in colour. London. Quintet Publishing.
once I had made some samples, I went on to make seaweed out of latex and scrap fabrics. these would be additional elements to bring in more varied textures.
The next step was to find cloak/ cape/ jacket bases for the fringing to be applied to. The fringing needed applying appropriate to the design.- where the design is of a woman, it will now be a man who is reliant on the use of a wheelchair. Therefore there are elements to consider during construction- especially with regards to the fringing as it mustn't get caught in the wheels etc.
The fringing needed applying one piece at a time as it is quite a challenge to sew. A heavy duty needle on an industrial machine is essential.
I have also added bits of net amongst the fringing to break it up a bit and I do not like how overpowering the fringing currently is.
I shall cut away any excessively bold coloured ribbons and trim down the lengths so that they are safe in conjunction with the wheelchair usage.
I think that the fringing would look better still if heatgunned in places to give more of a distressed look and to disguise the ribbons.
I will also add latex seaweed in places to add another textural dimension.





















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